How long?

How long does it take to peel a banana?

You think you know, don’t you!!!!!

Maybe you’re holding a banana plus the twins in your arms, one is puking, the other one is pooping (these are the twins, not the banana), and your husband, standing safely away from the six of you (wife, twins, banana, puke, poop), is telling you about his massage therapist. You won’t peel the banana; you’ll strangle it.

Bride and groom at a German wedding. The tradition is to tie the two of them together back to back, stuff a banana in the groom’s pants, and hang the couple (and the banana) upside down from the ceiling in a barn in Westphalia, with cow dung piled deep underneath the couple so that if they fall down while trying to peel the banana, they’ll bond forever. Google “divorce rate Wesphalia.” The statistics will surprise you.

 In North Rhine-Westphalia, the number of divorces decreased by 43%

Divorce rates in North Rhine-Westphalia have dropped 43% in the last two decades, according to a statement from the State Office for Statistics in Düsseldorf. In 2021, they estimate that around 29,000 marriages would've ended in divorce, out of which 304 couples were of the same sex. In comparison, there were over 51,000 divorces in 2004.

The President-for-Life of Banana Republic has passed away, may he rest in peace. A month of official mourning has been decreed, and no bananas are allowed in or out of the country until his widow has safely landed in Switzerland. You can’t peel a banana if you don’t have a banana. A lot will depend on the immigration authorities.

And what if you’re phobic about bananas? Horrible disgusting stinky mushy ugly selfish so-called “fruits.” You may need years of therapy before you peel a banana, and years of therapy after you peel a banana (if you peel a banana). A phobia is a phobia (“fear and hatred, combined”), and maybe you don’t have a banana phobia, but let’s spend a little time together and I’ll know for sure that you have a phobia or seven, or perhaps even a “phobia of seven” (heptaphobia).

Let me ask again, and let me propose a truthful answer.

How long does it take to peel a banana?

As long as it takes.

Context, situation, psychology, family dynamics, geopolitics, chemistry, and a thousand other factors make it impossible to predict how long it takes to peel a banana. Or to do any one thing.

How long does it take to learn a foreign language? As long as it takes. How long does it take to bring peace to the world? As long as it takes. How long does it take to write a blog post? As long as it takes. How long does it take for you to understand how long it takes for anyone to do anything? As long as it takes.

How long does it take to heal from childhood trauma? How long does a baseball game take? How long does it take to walk down two flights of stairs? How long did it take James Joyce to write Finnegans Wake? (Seventeen years.) How long does it take to read it?

Okay, I’m confusing Finnegans Wake with a banana. But that doesn’t change anything. The principle is absolute, and it says, absolutely, “As long as it takes. Nanoseconds, millennia.”

A banana shouldn’t take that long to peel, I hear you say. Oh yeah? “Should” makes things go more slowly; “should” leads to mistakes that take forever to fix; “should” doesn’t understand German weddings; “should” and “banana” are mortal enemies. You want to finish your doctoral thesis? Choose between “should” and “banana.” With crunchy peanut butter, yum! 

I asked ChatGPT to write a parody of Finnegans Wake on the subject of a banana with crunchy peanut butter. It took less than four seconds. How long will it take us to convince Disney to make a movie based on it? Nanoseconds, millennia.

Bananagins Wake

Riverrun, past Eve's and Adam's, from swerve of lush jungle to crunch of nutty lands, brings us by a commodious vicus of recirculation back to Bananaville and crunchy’s lair.

Peanut butterly, by gum, the crunchcrack smackdown of the peanut podge! O, how the slipskin shimmies, in its yellow frock, undressing itself like a flirty fruit! O, how the crunchy clings to the ripe and the ready, as if to say, “Let us go then, you and I, when the day is spread out against the banana sky.”

The banana, sure, was a riddle in the middle of a jittery split, not unlike the wearisome woes of the ould Finn again, but now swaddled in the nutty cocoon, and dreams of peanutty plunder, dreaming to the crunch of a thousand nuts.

Here comes the spread of the ages, butter upon butter, crunch upon crunch, and never a spoon to part them! “Loquacious!” cried the peel, “Forthwith! Let the knobbly knell ring forth!” And they did crunch, and they did butter, and there was much rejoicing in the house of spread.

For wasn’t it the slap and crackle of the night, when the moon shone bright upon the hunch of the brunch? In the jungle's gloaming, there’s the peel of the laugh and the chuckle of the grind, the swirl of the peanut pool, a symphony in snack major!

O, looksee now the slippery skin, as it wends its way, forlorn and forsaken, the banana’s other half, and crunches it nevermore. O the lamentations, O the peel unpeeling into the mists of tomorrow, as the jar sits ajar, and the butter goes soft.

 ©2024, Pedro de Alcantara

The Long and the Short of It

I’ve been working on a book titled THE INTEGRATED STRING PLAYER. It’s an ambitious project, in length and scope. Once printed, the book will probably be about 350 pages long, and it'll include several dozen music examples. In addition, there’ll be a dedicated website with 80 video clips and 10 audio clips.

Ostensibly, the book is about musical techniques for violinists, cellists, and other string players, but it contains many concepts and tools that might be of interest not only to all musicians but also to non-musicians. If you’ve been receiving my newsletters for a while, you may have read a couple of excerpts from it. Here they are:

Before Everything Else, Do Nothing

Moving Identity

Writing music down is a complex art. There are hundreds of rules about key signatures, time signatures, clefs, instrumentation, note values and relationships, flats and sharps, dynamics, beams and stems, and so on. Musicians learn these rules partly by technical training, partly by trial and error. The rules are so complex that most musicians have blind spots, gaps, and misunderstandings. And behind our blind spots and gaps, there lurk fears and anxieties.

To set the music examples on the book, I used a program called Sibelius (named after a great Finnish composer). It’s like word processing for music scores.

In order to use the program, you have to have a decent understanding of music rules, of course; plus, you have to have a decent understanding of the software itself. Given how complex music is, the software is necessarily complex, too. It doesn’t matter how user-friendly the thing is—you still need to learn a million things to be able to use it properly. The whole endeavor is complexity, multiplied.

The Sibelius manual is 800 pages long.

To describe one of the exercises in the book, I needed to create a page of music with an intricate graphic design. How long did it take me to do it?

Hours, minutes, and seconds, measured by the clock, would seem to make time a linear and straightforward matter. The clock makes time appear objective. Everybody knows what five minutes means! The only problem is that the clock and your mind work in different ways. The clock’s predictable objectivity doesn’t correspond to how life feels to you.

The page I created is about an exercise I learned from one of my cello teachers, Mr. Aldo Parisot, around 1981 or 1982. I’ve been practicing the exercise ever since, and over the decades I’ve also taught it to dozens of players. It’s a wonderful exercise that really helps a string player coordinate his or her left hand at the instrument. So, I’ve spent 35 years practicing, teaching, describing, and annotating the exercise, which I call The Cat’s Leap.

I bought my Sibelius software around 2005. At first I was quite intimidated and discouraged by how much work there seemed to be in learning how to use it. I’d open the program, fiddle with it a little, and give up. Postponement and avoidance, guilt and shame, woo hoo! But about two years ago I started using the program more regularly and more intelligently. It’s indeed a complex program—there’s no way around it—but it happens to be exceedingly useful. I’ve spent 11 years circling around Sibelius and finding ways of dealing with it (or, more precisely, dealing with my postponement and avoidance, which isn't really about Sibelius).

I think I spent ten, 12, or 15 hours all counted on the page in question. But most of the time, I was studying Sibelius and its workings. The hours spent on the page will make future score-setting endeavors go much faster for me.

How long did it take me to write the book? How long did it take me to record my 80 video clips? How long did it take me to revise and edit them? How long did it take me to record my 10 audio clips? How long—

Well, you get the idea. How long do things take?

The time that it takes to do something is also the time that it takes for you to learn to do it.

I’m turning 58 this year. It takes me a second to type three words at the computer, but it has taken me 58 years to get to the point here & now, where it takes me a second to type three words at the computer. 58 years, 35 years, 11 years, 15 hours, a minute, a second—they’re all happening at the same time. The real clock is a kaleidoscope, a spiral, a labyrinth, a ziggurat, a mirage; time has a thousand interlocking dimensions, and your life is as long as it is short.

It feels really good to learn things, and it feels really good to spend time learning things. And time spent learning is immeasurable.

Mr. Parisot, by the way, is 95 years old and going strong, still teaching at Yale and conducting his cello ensemble, still a rambunctious little boy. He's the Cat's Leap, personified!

©2016, Pedro de Alcantara

 

 

My kingdom for a couple more hours!

Time is a flexible entity. If you’re bored, time drags. If you’re excited, time flies. Sixty seconds can seem like an eternity—for instance, if you inadvertently lock yourself out of your house. Naked. In winter.

There’s never a moment in your life when your moods and your needs and wants stop affecting your sense of time. Time is always, always, always flexible! In other words, you can always stretch time, steal time, and otherwise make and take the time to accomplish anything you really want to accomplish.

I’m saying this as a sort of confession. For the past few weeks I’ve been busy with deadlines, projects, travel plans, paperwork, and every last professional excuse ever invented. I’m in New York as I write, battling a big book deadline on a project I started roughly ten years ago. “I’ve been too busy to blog,” I telepathically told my subscribers. And you know what? I was lying! To myself first and foremost! How many things have I chosen to do recently that were less important and less fun then blogging? Dozens, hundreds, thousands of time-consuming things, many of which I wouldn’t even describe to you for fear of ridicule.

I wouldn’t say that I’m a complete slacker. I’ve done a lot of good things lately. I even found the time to read a couple of books, including a Sherlock Holmes novel I had never read before. It contains a quote attributed to William Gladstone, who was England’s prime minister for many years: “A change of work is the best rest.”

Moral of the story?

Writing this blog post has allowed me to procrastinate facing my big deadline. I feel so rested, I think I’ll pull an all-nighter on that ten-year project.